jonathan wilson musician

The first batch of those early Dawes songs are just incredible, so to have those songs and to just be like, “Yeah, man, let’s just kind of do it sort of like my style” — not really signature tones, but tones that I have used and that I’ve curated since I was a teenager — to be able to have the trust and faith of those artists, that’s kind of the dream, right? Don’t try to sound like the record.” Which is great advice. I was looking up the reviews on that one, and of course people were talking about harpsichords and psychedelic synth leads and art-rock and ‘80s pop influences — lots of things that aren’t really here this time.

I brought the cymbals and the snare and the microphones for certain things. Until recently, songwriter Jonathan Wilson recorded his solo albums the way he handcrafts his own guitars as a luthier. That is actually true. I think about both of those things super fondly. In 2013, Wilson is curated a collection of songs as part of What You Need Is What You Have, The Songs of Roy Harper, a Roy Harper tribute album that includes songs performed by Will Oldham, Andy Cabic, Chris Robinson, Benji Hughes, Dawes, Jenny O., Johnathan Rice, Josh Tillman, and others. Deeply influenced by late-'60s West Coast psychedelia and the Laurel Canyon singer/songwriter scene of the '70s, he could easily be mistaken for a SoCal native (he's from North Carolina). So rather than a scholastic “let’s do an American roots study,” it’s really where I’m from, so it’s not a stretch. Your recently viewed items and featured recommendations, Select the department you want to search in. release and played with Waters on the 2017–18 Us + Them tour.[8].

And my studio was in storage. “When I would sit and compose some of my early stuff, I would try to join up with some sort of meditative ... spiritual element,” he says. And so that’s when the stuff comes.”.

WILSON:I was excited to dive in and experiment with this sound, with that genre. I felt like that was kind of what it was peddled as. But this time, it went well past that. The artist recalls “just walking around the city by myself, going to vintage rock and clothing stores for the fifth or the 18th time.” He returned to his fancy hotel, picked up his guitar, and thought to himself, “‘Wow, this is a weird place to be from the place that I started,’ which was a little tiny town where there was nothing going on.”, Before he became a teen guitar hero in Spindale, North Carolina, Mr. Wilson played in the Baptist church where his grandfather was a preacher and his grandmother was choir director.

“If the album would have been done here in Hollywood, those guys would have been asking for publishing [rights],” he jokes.


log out. Your subscription to Hear about special editorial projects, new product information, and upcoming events. The album debuted at #8 on the UK Indie Chart, #50 on the UK Overall Chart, #18 in the Norway Overall Chart and #49 in the Netherlands in its first week.

There are certain cymbal frequencies and stuff that I kind of have to have as part of my sound.

Wilson also joined Crosby, Stills & Nash, Jackson Browne, Bonnie Raitt and others for the concert's finale, "Teach Your Children". This was such a fun experience, just to more be the singer-songwriter in the booth and concentrate on the songs from that perspective. The song’s refrain about missing home emerged during a several-day layover in “Poland or something,” he says, expressing the disorientation of a touring musician who’s crossed more time zones than a satellite. Prime members enjoy FREE Delivery and exclusive access to music, movies, TV shows, original audio series, and Kindle books. Jonathan Wilson is a musical polymath.

But maybe the next day or so, I thought about it again and started to imagine what the crack session band would sound like and what that kind of band can do, and what I as a producer I could do to shape it.

“We were doing this NPR show and he was like, ‘Maybe you should go to Nashville,’” recalls Mr. Wilson, who is based in Los Angeles.

The album also features Wilson's band, including Jason Borger, Omar Velasco, Richard Gowen and Dan Horne.
Or maybe it was the work that he did with George Jones that I was just, “Holy s—, this is as good as it gets.” So I contacted him, and he was just like, “Wow, sorry, man, I haven’t done that kind of thing in a really long time — as a matter of fact, since 1990.” And I was like, “Yeeeeeeah… but…?” [Laughs.] So I wanted to explore it and figure out what could I do within that genre that could be tasteful. But the singer-songwriter-producer spent his earliest years growing up in North Carolina, and he brings some of the sounds of that region into his music pretty much for the first time on a new album, “Dixie Blur.” He forsook his L.A. studio to head to Cowboy Jack Clement’s old headquarters, at Steve Earle’s suggestion, to work with some Nashville cats, although he took longtime collaborator Patrick Sansone, of Wilco fame, along for the ride. That was just in passing, because we were both the guests on this NPR show, and we collaborated on that show — it’s sort of a Garrison Keillor kind of show called “eTown” that is taped out in Boulder.

Was Steve Earle someone you were hanging out with? Working with the likes of … Did the songwriting dictate the stylist approach being a bit more back to roots, or did the approach come first and then the songs needed to fit that?

[6] On March 6 2020, he released his new solo album called Dixie Blur.

Jonathan was named Uncut Magazine's 2011 "New Artist of the Year".[4].

That all came through our good friend Nigel Godrich.

In one of the new songs, you talk about growing up in an environment where there was not much art around. But I did sort of take them from afar (and find the similarities) as kind of like, “Oh, this is sort of like that halftime groove that they do, that slow f—ing groovy thing.” “Us and Them” is a great example.

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